Fred Harvey, the Man, the Era, the Jewelry

Fred Harvey (1835-1901) and the phrase “Fred Harvey era” are often misunderstood and misused when it comes to describing early Native American style jewelry.

Fred Harvey lived during fascinating times and his story tells us much about US transportation, westward travel, railway restaurant cars and the early tourist trade. But what is curious about his legacy is that we Native American jewelry aficionados erroneously use his name to describe a particular type of Native American style tourist jewelry that he personally did not have much to do with and that actually exploded onto the scene after his death.

Instead of referring to the the tourist jewelry from the era as “Fred Harvey jewelry”, it has been suggested that “railroad jewelry” would have been more appropriate. But that’s water over the bridge.

Is Fred Harvey responsible for the introduction of Americans to America? Yes.

Is he responsible for the first Native American jewelry boom in the US? Well, yes and no. But that’s putting the caboose before the engine. To understand the man, the era, and the jewelry, first of all a very brief timeline:

southwest design border669

1835    Fred Harvey was born in London, England

1850    Fred Harvey, age 15, sailed to America, his first job was a dishwasher in NYC. He became a US citizen in 1858

1876   Fred Harvey entered into a handshake agreement with restaurant operator Peter Cline who ran the eatery at the Topeka, Kansas railway depot to transform the lunchroom to better serve train passengers. After a radical makeover, he offered a 35 cent breakfast which included steak, eggs, hash browns, six wheat pancakes with maple syrup, apple pie and coffee all served in a clean and pleasant atmosphere.

1878    Fred Harvey signed a contract with the Santa Fe Railway (also known as the Atchison, Topeka & Santa Fe or AT&SF) to operate small restaurants (called tea rooms) at railroad depots along the railroad’s route.

Early Santa Fe Railway

Early Santa Fe Railway

1880 and onward trading post owners (called traders) began carrying tools and supplies for the Native American production of spoons, buttons, squash blossom necklaces, and other jewelry items.

1885   Fred Harvey managed 17 lunchrooms, called Harvey Houses, along Santa Fe’s line. They were run by Harvey Girls, single, young waitresses in starched uniforms.

A Harvey Girl in a Harvey House lunchroom in the early 1900s

A Harvey Girl in a Harvey House lunchroom in the early 1900s

1888    Fred Harvey begins to operate dining cars on the Santa Fe Railway. He signed his last contract with the Santa Fe Railroad in 1899. Here is a sample menu from one of the Harvey dining cars.

menu

Santa Fe Railway dining car interior - 1890

Santa Fe Railway dining car interior – 1890

1899    Fred Harvey Company (notably Indian Jewelry manager Herman Schweizer) supplied pre-cut turquoise and pre-measured silver pieces to traders for the manufacture of lightweight jewelry (aka railroad jewelry) to satisfy the demand of the railroad tourist trade.

Phoenix early 1900s

Phoenix early 1900s

1901    Fred Harvey died at age 65.  His son, Ford Harvey assumed control of the Fred Harvey Company

1909    The Thunderbird design was copyrighted by Fred Harvey Co.

Bell Trading Co. Thunderbird Cuff in Copper

Bell Trading Co. Thunderbird Cuff in Copper

1920    Fred Harvey Co. is the principal concessionaire in the newly established Grand Canyon National Park.

1923    Maisel’s Indian Trading Post opens in Albuquerque offering coin silver jewelry

1932  Bell Trading Co began operation

1935    Maisel’s merges with Bell Trading Co. and Bell converts to machine manufacturing remaining in business until 1972

southwest design border669

 

Fred Harvey’s main goal as an entrepreneur was to provide good food and good service for railroad travelers. He was immensely successful at that and essentially developed America’s first chain restaurants – Harvey House.

So what does he have to do with the railroad jewelry?  He created the market and the place to sell the wares. By making travelers comfortable, well fed and happy, they were ready to purchase souvenirs as mementos of their travels. The lightweight tourist jewelry was sold in the depot hotels and restaurants and alongside the train tracks.

scan0040

1905 Fred Harvey Gift Shop Alvarado Hotel, Albuquerque NM

1905 Fred Harvey Gift Shop Alvarado Hotel, Albuquerque NM

Some of the most popular items were bracelets, pins, spoons, all heavily laden with symbols.

Indian Symbols 2

The meanings for these symbols, in a large part, did not come from the Native Americans but were made up by the marketers of the jewelry such as Herman Schweizer of the Fred Harvey Company. He is attributed to say that the very popular Thunderbird symbol was (see the Harvey chart below) the “sacred bearer of happiness unlimited.”  That sounds good, I’ll take two.

indian-symbols-chart

Bell Trading Co copper symbol bracelet

Bell Trading Co copper symbol braceletCSB21-symbols-bell-2CSB21-symbols-bell-3

 

Early Whirling Logs ring

Early Whirling Logs ring

One of the most popular tourist pieces was the split shank Pretty Girl bracelet.

The peak of the Fred Harvey era tourist-quality Native American style jewelry was from 1900-1930, the decline caused mainly by the closure of the railroad depot lunchrooms and shops. Even so, it continued to be produced until the mid 1940s or 1950s.  The Bell Trading Co. continued on until the 1970s.

The authentic, sometimes called ethnographic, Native American jewelry was made before and during the tourist era and continues to be made today. Using heavier silver and stones, authentic Native American jewelry speaks volumes about its heritage and makers.

Fact or Fiction?

The Fred Harvey Company produced Indian jewelry. FALSE

All “Fred Harvey era” southwest jewelry was Indian made. FALSE

Some tourist jewelry is Indian made. TRUE

Paula

References:

fred harvey jewelry fred harvey the man

 

scan0043

Split Shank, Pretty Girl and Wire Bracelets

All three of these types of bracelets – split shank, Pretty Girl, and wire bracelets, are traditional Navajo and Zuni bracelet forms and all are open and airy making for comfortable summer wearing. The open spaces allow for ventilation, thus making the bracelets more comfortable to wear in hot and humid weather. Anyone who has worn a wide solid cuff in hot weather knows that it can make your wrist perspire. Perspiration can cause the copper in the sterling silver to tarnish more quickly.

A split shank bracelet is made by splitting the center portion of a solid metal strip (shank) with a saw, chisel or other tool to open it and make it wider. This makes a larger base to attach decorative elements.

Split Shank bracelet

Split Shank bracelet

The center is split into two, three, four, or five branches, most commonly three. Part of the sides and the terminal ends of the bracelet are left solid like the original metal plate – the sides can be stamped or adorned all the way to the ends.
The splits were originally made by hand with a saw or a cold chisel and a hammer. They are still done that way today but in some cases the splits are made using a hydraulic drop cutter.

border 2

A Pretty Girl bracelet is a lightweight split shank Native American souvenir bracelet from the Fred Harvey era.  The decorations added to a Pretty Girl bracelet were set on a platform and usually were a combination of hand made and cast elements such as medallions, buttons, braids, wire and raindrops.

Pre-cut turquoise gemstones set into preformed bezel cups were the most common adornments – set onto a platform.  There were a variety of handmade and preformed platforms used  – from simple to ornate.

The edges of the bracelets were often scalloped. The side panels were often stamped with geometric designs, whirling logs, dogs, thunderbirds, arrows and more.

Five Wire bracelet, sometimes called spreadwire, made in copper by Bell Trading

The split shank bracelet, sometimes called spreadwire, made in copper by Bell Trading

Decorative stamping on the side pieces

Decorative stamping on the side pieces

border 2Whereas a split plate bracelet is is made from one piece of flat stock, a similar style bracelet, the “wire” bracelet is made from 2-10 or more separate bands of flat stock or round or triangular wire that are joined together at the ends.

Three “wire” bracelet made from three separate metal strips joined together at the terminal ends.

Three Wire bracelet made with round wire.

Three wire bracelet made with triangular wire.

Paula