Authentic Native American Indian Fetish Necklaces

To begin talking about Native American fetish necklaces, first a little bit about fetishes.

A Native American fetish is a stone or shell carving and sometimes antler or wood, usually in the image of an animal.

Zuni Horse Fetish made of Acoma Jet

Indian fetishes can be carried or displayed. Those that are carried are often called pocket fetishes.

Lakota Pipestone Buffalo Fetish – makes a great pocket fetish because of its smooth surface and sturdy construction.

Those that are displayed are called table fetishes.

Zuni Deer Fetish carved from Antler

Zuni artists are the traditional fetish carvers but there are many talented Navajo carvers as well.

Pig by Stanton Hannaweeke – Zuni

Bobcat by Navajo Herbert Davis

To read more about fetishes, see my other blog posts:

Native American Fetish Carvings – What are they used for?

Animal Fetish Powers

Types of Native American Fetishes

Serpentine used in Native American Fetish Carvings

Native American Terms – Fetish, Totem, Amulet, Talisman

How Do I Display Zuni Native American Fetish Carvings?

Native American Fetishes – Zuni Carving Families

The Power of Native American Fetish Carvings – Story of the Midnight Bear

Native American Stone Fetish Carvings – Six Directions

How Zuni Navajo Native American Fetishes Are Made

 

FETISH NECKLACES

Vintage Fetish Necklace – origin unknown

Native American fetish necklaces are made with small fetishes that are drilled and strung like beads with fine shell, turquoise or jet heishi in between. Just like with pocket and table fetishes, fetish necklaces are made by both Navajo and Zuni artists.

AND BEWARE !! There are many NON- Native American fetish necklaces. They are usually made overseas and sold as Native American. BAD !!! Below is a slide show of 3 common imported, faux Native American necklaces. When we get items like this in an estate lot, we sell them in our Bargain Barn.

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Like any Native American item, buy directly from the maker or from a trusted seller.

Navajo horse fetish necklace

 

The animals can vary but often include birds, bears, horses, mountain lions, turtles, foxes, wolves and many others.

Zuni fetish necklace with many animals

The stones and shells usually used include turquoise, mother of pearl, pink shell, acoma jet, serpentine, pipestone and many others.

Navajo Fetish Necklace

Here are some more of my blog posts that relate to fetish necklaces:

What is a stacked necklace? More on Navajo and Zuni Fetish Necklaces

Are these Bird Fetish Necklaces Authentic Native American made?

44 Bird Fetish Necklace – is it Native American made?

Stacked Fetish Necklace – is it authentic Native American made?

Wanted – A Six Directions Fetish Necklace Set

Native American Fetish Necklace – Signed by Artist?

Native American Wearable Art – Stacked Fetish Necklace

Hector Goodluck Monument Valley Fetish Necklace

Native American Fetish Necklace – Mother or Grandmother Necklace

Bird Fetish Necklace from Goodwill

Paula

Sacred Red Pipestone from Minnesota

Lakota horse pipe carved by 4th generation Lakota pipemaker Alan Monroe from pipestone he quarried from Pipestone National Monument

 

From the website of Pipestone National Monument 

“When you pray with this pipe, you pray for and with everything.”  -Black Elk

 

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For countless generations, American Indians have quarried the red pipestone found at this site.

Red Pipestone is also referred to as Catlinite. Read more about Catlinite by clicking here.

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 These grounds are sacred to many people because the pipestone quarried here is carved into pipes used for prayer. Many believe that the pipe’s smoke carries one’s prayer to the Great Spirit. The traditions of quarrying and pipemaking continue here today.

More information from the Pipestone National Monument website

Located in rural southwestern Minnesota, the pipestone quarries are considered a sacred site by many American Indians. For the last 5,000 years or more, tribes across the central region of North America have traveled to this site to quarry. Today, they still travel long distances to this site to continue the tradition of pipestone quarrying and pipe making. Since 1946, the 56 active pipestone quarry pits have been managed by issuance of a quarry permit.

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Pipestone quarrying is often an underappreciated part of the tradition surrounding pipe making. The task of extracting pipestone from the earth is slow and laborious using hand tools not much more advanced than the tools and methods used in past millennia. The process can require many days of physical labor with only sledgehammers, pry bars, chisels, wedges, and steel bars allowed. Good physical condition is a prerequisite.

 

A cross-section view of a quarry showing the layers of earth and quartzite that needs to be removed before reaching the layer of pipestone. Note that the pipestone seam is angled downward. Over time, the quarriers must remove more and more quartzite, one of the hardest rocks in the world, to continue extracting the pipestone.

Depending upon the specific quarry and amount of material extracted, experience has shown that quarrying time can be estimated at two to six weeks to reach the subsurface layer of pipestone. This pipestone lens is sandwiched between layers of very hard Sioux Quartzite formation rock. Depending upon a quarry’s location along the quarry line, the upper levels of quartzite can be four to ten feet thick above the pipestone layer. Prairie plants and soil varying in depth from one to six feet cover the upper layer of quartzite.

Quarriers use shovels and wheelbarrows to dig up surface soils and glacial till. Then they dump it in rubble piles at the rear of the quarries. Subsequently, broken pieces of quartzite rock are also discarded.

The upper layer of quartzite is composed of multiple quartzite strata, with vertical fractures and cracks in the rock. Wedges or chisels are placed into these cracks can be driven down with sledge hammers to break apart loose individual quartzite blocks. Upon loosening a piece, it is worked free with a steel pry bar and allowed to drop to the floor of the quarry. Heavy sledge hammers are then used to break the bigger chunks of quartzite into smaller, more manageable pieces that can be lifted and thrown out of the back of the quarry. The process of breaking out the quartzite is repeated many times until the pipestone layer is exposed.

See the slide show below which shows the blessing and quarrying of the pipestone that is used to make the items in our store

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The smaller pieces are also used in building a rock retaining wall along the front of the rubble pile. The rock wall serves as a barrier so that as additional quartzite and soil are thrown or stacked at the rear of the quarry, the rubble pile is prevented from collapsing back into the quarry. Building a sturdy retaining wall to keep rock and fill out of the pit is an essential part of managing a quarry and a very important protective safeguard for quarriers.

Sacred Catlinite Ceremonial Necklace

Once the pipestone is exposed, care must be taken in removing the stone as it is very fragile and when handling large slabs it can break. The pipestone layer may vary from 10 to 18 inches thick and it too is composed of multiple layers from 1 ½ to 3 inches thick. Individual layers are carefully removed one slab at a time by driving wedges into the natural horizontal seams. The natural vertical cracks in the quartzite carry down through the pipestone, which allows the quarrier to remove the pipestone layers in irregularly-shaped slabs or tabular blocks.

Raven Effigy Pipe

The quarry pits are located in the bottom of a bowl-shaped drainage. In the spring and early summer months groundwater from rain and snow melt collects in this low lying area, filling the quarries with water. Most quarriers prefer to work during the summer to late fall months to avoid the groundwater problems. Monument staff will assist quarriers by pumping water out of the quarries, but only two days ahead of when quarrying is planned. Often, when it is high, groundwater will flow back into the quarries as fast as it is pumped out. Since continued pumping will not reduce the water level, it will not be attempted during these periods when groundwater is high.

Buffalo Effigy Pipe

Paula

Dragonfly and the Isleta Cross

About the Isleta Cross

Also called the Pueblo Cross, the Isleta Cross is a very old Pueblo design associated with the Isleta Pueblo. The double-bar cross design is said to have originated with the Moors and Spaniards.

To the Pueblo Indians the double-bar cross was very similar to the dragonfly symbol of their culture, so many Puebloans incorporated the Isleta cross in their jewelry. By the early twentieth century, Pueblo artisans made elegant necklaces with a large central cross as a pendant and smaller crosses along the sides interspersed with beads.

Many crosses of Spanish and Mexican origin as well as Isleta crosses have a heart or a partial heart at the bottom. This is sometime referred to as the “bleeding heart”. In the Catholic Church, the Sacred Heart (the pierced and bleeding heart) alludes to the manner of Jesus’ death and represents Christ’s goodness and charity through his wounds and ultimate sacrifice. However it has been said that the reason the Puebloans put a heart on the bottom of their crosses was for other reasons. They felt it represented the big generous heart of the dragonfly who loved the people. Also, the Pueblo women were said to like the crosses with the hearts on the bottom better, so it could have simply been a case of fashion preference.

The Isleta Pueblo is located in central New Mexico, on the east bank of the Rio Grande south of Albuquerque. It is on the same site as when it was discovered in 1540. It was the seat of the Franciscan mission of San Antonio de Isleta from approximately 1621 until the Pueblo revolt of 1680. The Spaniards captured the pueblo in 1681. In the late 1700’s, when Isleta was repopulated with native peoples, it became the mission of San Agustín de Isleta. Tiwa, a Tanoan language, is the tongue of the Isleta Pueblo.

Read more about Pueblo here What does Pueblo mean?

About the Dragonfly

The dragonfly is associated with many Native American tribes but most notably those of the southwest beginning with early HOHOKAM and MIMBRES depictions on pottery. Early Puebloans and many contemporary southwest artists have continued the tradition.

from Heart of the Dragonfly by Allison Bird

Mimbres reproduction Dragonfly AD 1250 Site Mimbres Valley New Mexico

 

Dragonfly represents rain and its life-giving force, a source of renewal for the land, plants, animals and thus allows human life.

from Landscape of the Spirits: Hohokam Rock Art at South Mountain Park By Todd W. Bostwick, Peter Krocek

1000 year old dragonfly-petroglyph photo by bryan-pfeiffer – click photo to learn more……………

 

From Rock Art Symbols by Alex Patterson

The dragonfly inspires spiritually and creatively and helps us on the path of discovery and enlightenment.

It spiritually embodies the stripping away all negativity that holds us back, helping us to achieve our dreams and goals.

Dragonfly is the keeper of dreams, the energy within that sees all of our true potential and ability. Dragonfly reminds us that anything is possible.

If you have ever seen a dragonfly’s wings glisten in the sunlight you can see why they have inspired jewelers. And how their intricately colored bodies would lead to works of stone inlay.

It is no wonder that contemporary Zuni, Hopi, Navajo and other southwest silversmiths create many beautiful dragonfly pieces.

Paula

 

Lakota Four Winds Pipes

Four Winds

pipes-four-winds-A

The Four Winds are evoked in many Lakota ceremonies. The Four Winds are all wakan. Wakan is a Lakota word which represents mysterious powerful beings or spirits.

4W6-T-pipe

The first wind is the WEST, Yata. This is where Wakinyan (the Thunderbird) lives. It is where all animals are created and the West Wind is present when man and animals die. The West Wind is strong and mighty but good natured. It is where the sun goes to rest. The eagle is the akicita (marshall) of the West Wind.

The second wind is the NORTH, Woziya. The tonweyapi of the North are the white owl, raven and wolf. Tonweyapi are aides – they can be marshalls, soldiers, spies or counselors. The North Wind is strong and usually cruel but occasionally jolly. The things he touches grow cold and die. The North Wind decides if the dead people are worthy to pass or wander forever cold, hungry and naked.

The third wind is the EAST, Yanpa. The nighthawk is the tonweyapi of the East. The East Wind sleeps a lot. It is called on to help the sun and the dawn appear. And it gives a place for the moon to regrow. The sun and the moon know and see everything on earth and they tell it to Yanpa. Lodges face east to please Yanpa. The East Wind is evoked by the sick asking for a rest.

The fourth wind is the SOUTH, Okaga. The tonweyapi of the south are waterfowl and the meadowlark. The South wind makes beautiful things, flowers and seeds. It is the giver of life. It is kind and brings good weather. The south is a place where spirits can go after death.

The winds are sometimes at odds with each other over women or other things. Iktomi (spider wakan) purposely stirs up trouble among the Four Winds so he can have fun watching them fight.

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Raven Crow Medicine

Lakota Kangi Pejuta Medicine Bag

Lakota Kangi Pejuta Medicine Bag. Kangi Pejuta means Medicine Crow.

RAVEN/CROW –  Raven and Crow are very similar in their strengths: both carry great responsibility to Spirit and are the messengers of magic and healing from the universe where all knowledge waits for us.

Raven Crow Feather Necklace by Apache artist Cynthia Whitehawk

NP574-feather-raven-whitehawk-2 Raven Crow Feather Necklace by Apache artist Cynthia Whitehawk

They also symbolize changes in consciousness, levels of awareness and perception.

Zuni Raven Fetishes

FF306-raven-pooacha-1 Zuni Raven Fetishes

Shamans, Spiritualists and Healers using Raven/Crow Medicine are able to use their gifts with deeper clarity, understanding and insight, developing greater power and skill in their abilities and their means to help one move forward in life.

Kangi Pejuta Smudge Kit

Kangi Pejuta Smudge Kit

Raven Crow Medicine Smudge Feather

Raven Crow Spirit Smudge fan by Apache artist Cynthia Whitehawk

Raven Crow Spirit Smudge fan by Apache artist Cynthia Whitehawk

Raven Crow Medicine Pouch

Raven Crow Medicine Pouch with hand carved and painted buffalo bone raven feather. Cynthia Whitehawk

 

Zuni Buffalo Fetish Carving
Raven – Crow – A symbol of Magic, Mystery, and a Shift in Consciousness
(from our conversations with Lakota and Apache healers)
Paula

What do I have to do to break in my new catlinite pipe?

Hi Paula,

Really stupid question, but is there any pre-treatment, heating or whatever to do to the pipe bowl prior to smoking it? Just a little nervous of cracking the bowl with the heat from the tobacco and the kinnikinnick burning in there.

Kind regards

Phil

CEP65-horse-1Hi Phil,

Nothing is needed for breaking in the pipe. Catlinite (pipestone) is the perfect material to make pipes out of. It can be smoked quite a bit but still be just a bit warm on the outside. That’s because pipestone is a clay and it porous so it cools quick and has give. So it won’t break. It is natural pipe material and that is why it has been used for many many years by Lakota and other pipe makers.

Paula

How Should I Decorate my Lakota Pipe and Stem?

Hi there all at Horsekeeping,

I have received my pipe bowl and pipe stem around two weeks ago now (thank you very much!) and have done nothing with the stem as yet. My animal totem is the Grizzly Brown bear, and wonder what decoration I should use. I feel that I should leave the pipe bowl untouched and treat the wood and decorate the stem only. I have thought about using some bead work on leather with the sacred hoop colours and using eagle feathers and (if attainable) bear fur. If I was to do this I think it may be difficult to attach if I treated the stem with say bees wax. Any suggestions?

CTP108-350w CTP-overview-700w

Kind regards

Phil

Hi Phil,
We feel you should look to your heart or your spiritual adviser or tribal leader for help in choosing how to adorn your pipe.
Beeswax would make it difficult to make things stick to the wood but often leather or pelts are laced onto the stem when the leather or hide is wet, so it shrinks tight onto the stem.

Paula