Jacob Poleviyouma, Jr. was of the Hopi Sun Clan in the Shungopavi-Hotevilla Pueblo. He learned his craft at the Hopi Silvercraft Cooperative Guild in Second Mesa, Arizona and produced jewelry from 1976 until his death in 1986.
Hallmark of Hopi Jacob Poleviyouma, Jr.
Hopi Silvercraft Guild
The Hopi Silvercraft Guild was formed in 1949 by the Indian Arts and Crafts Board and the Hopi Government Agency. For twenty years, the Guild provided classes, a central workshop and a stable marketing outlet for Hopi made items.
The Four Winds are evoked in many Lakota ceremonies. The Four Winds are all wakan. Wakan is a Lakota word which represents mysterious powerful beings or spirits.
The first wind is the WEST, Yata. This is where Wakinyan (the Thunderbird) lives. It is where all animals are created and the West Wind is present when man and animals die. The West Wind is strong and mighty but good natured. It is where the sun goes to rest. The eagle is the akicita (marshall) of the West Wind.
The second wind is the NORTH, Woziya. The tonweyapi of the North are the white owl, raven and wolf. Tonweyapi are aides – they can be marshalls, soldiers, spies or counselors. The North Wind is strong and usually cruel but occasionally jolly. The things he touches grow cold and die. The North Wind decides if the dead people are worthy to pass or wander forever cold, hungry and naked.
The third wind is the EAST, Yanpa. The nighthawk is the tonweyapi of the East. The East Wind sleeps a lot. It is called on to help the sun and the dawn appear. And it gives a place for the moon to regrow. The sun and the moon know and see everything on earth and they tell it to Yanpa. Lodges face east to please Yanpa. The East Wind is evoked by the sick asking for a rest.
The fourth wind is the SOUTH, Okaga. The tonweyapi of the south are waterfowl and the meadowlark. The South wind makes beautiful things, flowers and seeds. It is the giver of life. It is kind and brings good weather. The south is a place where spirits can go after death.
The winds are sometimes at odds with each other over women or other things. Iktomi (spider wakan) purposely stirs up trouble among the Four Winds so he can have fun watching them fight.
In Native American art, the hand usually represents the presence of man. From the earliest hand imprints on cave walls, the hand depicts a man’s work, achievements and his personal history.
When a hand had a swirl in the middle of it, that is said to be the “eye in hand” and represents a mystic, or all-seeing, hand, the presence of the Great Spirit in man.
Mystic Hand Pendant
A Native American’s horse was highly honored and often covered in symbols for various purposes. This would vary from tribe to tribe but hand prints were often used in various positions on a horse to mean different things.
The most prized handprint was when preparing for battle, if it was a kill-or-be-killed mission, an upside-down hand would be placed on the warrior’s horse.
If a horse knocked down an enemy, right and left hand prints were put on the horse’s chest.
The Pat Hand Print was the left hand pressed onto the horse’s right hindquarters. It was put on a horse who had returned from a dangerous mission with his master unharmed.
Lakota Kangi Pejuta Medicine Bag. Kangi Pejuta means Medicine Crow.
RAVEN/CROW – Raven and Crow are very similar in their strengths: both carry great responsibility to Spirit and are the messengers of magic and healing from the universe where all knowledge waits for us.
Raven Crow Feather Necklace by Apache artist Cynthia Whitehawk
They also symbolize changes in consciousness, levels of awareness and perception.
Zuni Raven Fetishes
Shamans, Spiritualists and Healers using Raven/Crow Medicine are able to use their gifts with deeper clarity, understanding and insight, developing greater power and skill in their abilities and their means to help one move forward in life.
Kangi Pejuta Smudge Kit
Raven Crow Medicine Smudge Feather
Raven Crow Spirit Smudge fan by Apache artist Cynthia Whitehawk
Raven Crow Medicine Pouch with hand carved and painted buffalo bone raven feather. Cynthia Whitehawk
Raven – Crow – A symbol of Magic, Mystery, and a Shift in Consciousness
(from our conversations with Lakota and Apache healers)
I’ve replied to hundreds of your queries on hallmarks and now its my turn !! HELP !!
I wonder if any of you have seen this V/L hallmark before. See the photos for the hallmark and the buckle itself.
The buckle is from a collection we purchased from a gentleman who bought buckles over the last 10-40 years and kept them in a display case so they are NOS (New Old Stock). The prong on this buckle was shaky so we had the prong replaced – that is the only new part on it.
It is a Zuni inlay of Longhorn Kachina also known by and associated with other kachina names including Saiyatash, Sai-astasana, Zuni Rain Priest of the North, and Hututu. Some say that Longhorn Kachina is usually accompanied by his “Deputy” Hututu. They look quite similar.
Longhorn Kachina has a single long horn sticking off to the right side of his mask and is always seen with his distinctive black and white (striped or checkered) neck ruff.
He has a long left eye which is said to bring a long life to good people. In addition, he is called a hunter/warrior and the Rain Priest of the North who has the ability to control the weather.
I’ve researched the hallmark in all of my references and online and so far this is what I came up – it is NOT the same as either of these other VL hallmarks. Any ideas?
Since artists do change their hallmarks over the years and since one reader showed me a piece by Vera Luna that seems to be a match to this buckle, I will surmise, this buckle was made by Vera Luna. Here is the bolo. Except for the fact that the kachina on the buckle has one extra black feather, these are twins !
One of the greatest contemporary Native American jewelry silversmiths of our time, award-winning Bennie Ration has a distinct three dimensional style with geometric patterns figuring prominently in his pieces. Using overlay to highlight and accent his designs, Bennie Ration creates unique pieces using the finest materials. His pieces are recognized all over the world as some of the finest silverwork. Bennie was born in March of 1955 to Francis and John Ration of the Canoncito Navajo reservation in New Mexico. His father, John, began teaching Bennie the art of silversmithing in grade school. From age 11, Bennie was a talented artist.
Bennie ration developed a unique look to his pieces which include overlay, exceptional stones, three dimensional kachina figures, animals, feathers and other designs.
Fox Mountain Turquoise Pendant with Overlay Collar Necklace by Navajo artist Bennie Ration
Lizard Pin Pendant by Bennie Ration
Turtle Pin Pendant by Bennie Ration
Natural Persian Turquoise Maiden Ring by Bennie Ration