Meet Monty Claw and his Unique Jewelry

Monty Claw

We are so happy to have met Monty Claw and feature some of his unique jewelry in our webstore.

Navajo artist Monty Claw is largely self-taught although he did study at The Institute of American Indian Arts.

He has worked in many mediums including leather and beadwork, making feather fans, painting and silversmithing.       

See two of Monty’s fans below in this slide show   – for more details, see Fans on our website. 

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Monty Claw and his work have been featured in a number of publications including The Smithsonian Magazine and Native Peoples Magazine.

Monty’s pieces appear in museum quality collections such as Nelson Atkins, The Nerman Museum of Contemporary Art, The Minneapolis Institute of Arts, The Denver Art Museum, The Sam Noble Museum, and Musée Du Quai Branly in Paris, France. Watch the slide show below to see some of his museum quality pieces. 

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Although he has only been a full time jeweler since 2011 he has already started accumulating awards: SWAIA Santa Fe Indian Market, The Heard Museum Indian Market, and Cherokee Art Market in Tulsa, Oklahoma.

Today Monty focuses mainly on jewelry and metalsmithing and specializes in tufa cast pieces. He creates amazing works of silver and gold occasionally set with precious gems like turquoise, coral, and diamonds. But truth be told, he really prefers to work in all metal.

He enjoys creating sculptural pieces that look like they are going to walk or fly off a ring or bracelet and come to life.

His pieces are unique, with singularly creative details. His ideas range from traditional to beyond modern, from beautiful to edgy, from simple classics to groundbreaking creations. He creates many pieces related to animal and spiritual beings. Click on the photos below to see more views and dimensions.

First People

Yei Bi Chei

Apache Crown Dancer

Raven Spirit

Dragonfly Spirit

Wolf Spirit

 

His work is highly sought after by major collectors, museum board members, major curators and Native American jewelry enthusiasts who just love to wear his pieces.

Monty Claw tells us stories with his jewelry as he continues on his creative path.

Paula – I’m closing with a photo of the first of my many Monty Claw pieces – a treasured buffalo inlay buckle………..

Paula’s inlay buffalo belt buckle by Monty Claw

Raven Crow Medicine

Lakota Kangi Pejuta Medicine Bag

Lakota Kangi Pejuta Medicine Bag. Kangi Pejuta means Medicine Crow.

RAVEN/CROW –  Raven and Crow are very similar in their strengths: both carry great responsibility to Spirit and are the messengers of magic and healing from the universe where all knowledge waits for us.

Raven Crow Feather Necklace by Apache artist Cynthia Whitehawk

NP574-feather-raven-whitehawk-2 Raven Crow Feather Necklace by Apache artist Cynthia Whitehawk

They also symbolize changes in consciousness, levels of awareness and perception.

Zuni Raven Fetishes

FF306-raven-pooacha-1 Zuni Raven Fetishes

Shamans, Spiritualists and Healers using Raven/Crow Medicine are able to use their gifts with deeper clarity, understanding and insight, developing greater power and skill in their abilities and their means to help one move forward in life.

Kangi Pejuta Smudge Kit

Kangi Pejuta Smudge Kit

Raven Crow Medicine Smudge Feather

Raven Crow Spirit Smudge fan by Apache artist Cynthia Whitehawk

Raven Crow Spirit Smudge fan by Apache artist Cynthia Whitehawk

Raven Crow Medicine Pouch

Raven Crow Medicine Pouch with hand carved and painted buffalo bone raven feather. Cynthia Whitehawk

 

Zuni Buffalo Fetish Carving
Raven – Crow – A symbol of Magic, Mystery, and a Shift in Consciousness
(from our conversations with Lakota and Apache healers)
Paula

Native American Healing, Ceremonial and Dance Rattles

NATIVE AMERICAN CEREMONIAL AND DANCE RATTLES

©  2010 Cherry Hill

Native American rattles have been and are used for many purposes including healing and other medicine uses, dancing for ceremony and celebration, commemorating birth and more. To First Nations people, shakers or rattles represent rain (for prayers of abundance and prosperity) and tears, especially those of emotional release. Tears of joy signifying when the mind, body, soul and spirit connect. Ceremonially, rattles are used in cleansing and purifying, spiritual guidance work, celebration and in thanks and respect to Ancestral Spirits.

Dragonfly Spirit Gourd Rattle by Cynthia Whitehawk, Apache

 

Rattles can be made of many materials including deer and elk hooves, rawhide, turtle shells, gourds, wood, buffalo parts (horn, hump bone, scrotum) bones, horns and antlers of all kinds, leather (cowhide, buckskin, elkskin).

Wolf Spirit Gourd Rattle by Apache Cynthia Whitehawk

 

The rattling items are either inside or outside. Rattles such as gourds might have small items inside such as beans, corn, small stones, or even the seeds native to the gourd itself.

Raven Spirit Gourd Rattle by Apache Cynthia Whitehawk

Rattles with external sound makers are adorned with pieces of metal, tinkle cones, bells, beads and more.

Lakota Horse Spirit Dance Rattle by Alan Monroe, Oglala Lakota

 

Generally, medicine rattles are made entirely of natural materials and the sound is more muted. Dance rattles are made of almost any materials, natural and otherwise. In fact, unusual items such as pieces of scrap metal, coins and other resonating materials are used to create a loud, crisp sound. Dance rattles are often made like a coup stick, using bone or wood with a handle on the end.

Horse Spirit Dance Rattle by Alan Monroe, Oglala Lakota

 

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Native American Pipes – The Sacred Pipe

The Sacred Pipe
©  2010 Horsekeeping   © Copyright Information

The pipe figures into Native American culture in many ways and for each culture there are different uses and traditions. The intent of this article is not to provide a comprehensive explanation of the sacred significance of the pipe in Native American cultures, but to just offer a brief idea of how pipes have been and are used by Native Americans.

On first contact with Native Americans, the French used the word “calumet” [from the Latin “calamus”, for reed] to refer to the sacred pipe. Early pipes of the Miami and Illinois were hollow canes decorated with feathers.

The Lakota sacred pipe, the chanunpa, is an important part of healing ceremonies conducted by medicine men. Once a pipe is made, it must be blessed in a special ceremony that connects it to the original sacred pipe that was brought to the Lakota by the White Buffalo Calf Woman. This is to ensure that a good spirit resides in the pipe.

Lakota Catlinite T Pipe

The Sacred Calf Pipe bundle is the most sacred object of the Sioux. It was brought to them by a messenger (White Buffalo Calf Woman) from wakan tanka (the holy being, the great mystery, the source of all healing).

The sacred pipe of the Osage is the Niniba.

Pipes currently in use by the Plains Indians are made of a catlinite bowl and a separate wooden stem, usually made of alder or ash.

Ash Pipe Stem

The bowl can be a simple L shape or a T shape or can be a carving of an effigy or other symbol.

Catlinite L Shaped Bowl

The primary source of Catlinite is in Minnesota along Pipestone Creek which is a tributary of the Big Sioux River. This area under control of the US National Park Service is now named Pipestone National Monument. Native Americans can apply for a permit to quarry catlinite there. Catlinite is named for the New York artist George Catlin (1796-1872), who was the first white person to visit the Minnesota quarry from which it was obtained.

Catlinite, a very deep red stone, is symbolic of blood of the ancient people and the buffalo.

Catlinite Double Eagle Pipe by Alan Monroe, Oglala Lakota

Although the words catlinite and pipestone are often used interchangeably, there can be a great difference in the two stones. Catlinite, with its dark red color and exceptional ability to be carved, is only found in the Minnesota mine. Pipestone found elsewhere in the US and the world has a different composition, is often a pale terra cotta color, and cannot be carved like catlinite.

Using a Pipe
©  2010 Horsekeeping   © Copyright Information

The bowl and stem are separated and carried along with a tamper, the smoking mixture and other smoking accessories in a bag or pouch.

Each person has their own ritual about handing and smoking their pipe. It usually starts by smudging (purifying) the pipe and all of its parts and accessories in the smoke of sage, sweet grass, pine or cedar.

Once the pipe has been purified, the stem is connected to the bowl, the stem being viewed as male and the bowl as female.

Important – How to insert the stem into the pipe.

CAUTION – Never roughly jam the stem insert into the pipe hole. If you force the insert into the barrel, you could break the pipe.

Instead. . .
Moisten the insert with your lips. Insert the stem into the pipe barrel and gently give it ¼ turn. This will give the stem a good hold on the inside of the barrel. The slight moisture will swell the stem insert slightly which results in a snug fit.

If you treat a pipe with respect, it will last a long time.

A certain number of pinches of the smoking mixture are added to the bowl in ceremony. Each pinch is smudged before loading in the bowl. (Read about smudging.)

The smoking of the pipe generally consists of puffing on it, not inhaling it. It is viewed as a means of sending one’s prayers to the Great Spirit and making a connection between the earthly world and the spiritual world.

As the pipe is passed, one holds the pipe in the left hand while using the right hand to wave the smoke over the top of one’s own head as a blessing. When speaking to the Great Spirit, often the stem of the pipe is pointed toward the sky.

In the hands of a medicine man, his sacred pipe is full of mysterious power and able to accomplish many things for the health, safety and well-being of his people.

When smoking is finished, the pipe is again treated with great respect as the bowl is cleaned, the stem is detached from the bowl, the pipe is blessed and stored in its special bundle or pouch.

Catlinite Horse Effigy Pipe by Alan Monroe, Oglala Lakota

Storing a Pipe
©  2010 Horsekeeping   © Copyright Information

According to Native American tradition, once a pipe has been smoked and blessed the first time, the bowl and stem of the pipe should only be joined for smoking. When they are joined, during smoking, the spirit of the pipe is released. After the ceremony, the bowl should be separated from the stem and they should be stored that way. If you store or display a pipe with the stem and bowl connected, the spirit is free to roam.

Raven Effigy Catlinite Pipe by Alan Monroe, Oglala Lakota

The Offering Pipe
©  2010 Horsekeeping   © Copyright Information

The Offering Pipe is a small scale, less expensive version of the Sacred Pipe and is meant to be used as an offering or give-away.

Catlinite Offering Pipe by Alan Monroe, Oglala Lakota

In many cultures, offerings are left at sacred sites and as a gift to the Spirits. In Native American culture, offerings might be left each time someone passes a certain way or takes water from a spring or stones from a mine. An offering can also be left for a person (alive or dead) or for a Spirit as a symbol of thanks and respect. The offering might be tobacco, food, money, flowers, craftwork or special objects. When a person goes on a Vision Quest the pipe that he smoked during that time would be one of the greatest offerings he could make to the Spirits. The Offering Pipe by Alan Monroe is perfect for such uses. When left as an offering, the pipe is separated from the stem and traditionally wrapped in red cloth which represents the red road or the good path. The bundle can be tucked in a rock crevice or a tree at the appropriate location.

A Give-Away Pipe also has tradition in Native American culture. When someone dies, there is a ceremony similar to a wake where people come to pay respects to the departed. Sometimes an Offering Pipe is placed in the casket for burial with the deceased. (See above.) Also, the family passes out gifts to family and friends at this time as a symbol of the tradition of giving away some of the deceased’s belongings. This is where a Give-Away pipe might be used.

A year after the person has passed, a feast is held in the person’s honor and the rest of the person’s belongings are given away. This is another instance where a Give-Away pipe would be suitable to exchange between family and friends of the deceased.

Choosing a Pipe
©  2010 Horsekeeping   © Copyright Information

If you are looking for an Offering Pipe or Give-Away Pipe, see above.

For a personal pipe, generally the L-shaped bowls are thought to be for a woman, a single man or for an everyday smoking pipe.

The T-shaped bowls are for a man or a family pipe. The nose of the pipe represents a man coming of age.

The animal effigy pipes are for those who have aligned with a particular animal spirit.

Horse Effigy Pipe from Catlinite by Alan Monroe, Oglala Lakota

The pipes we sell at Horsekeeping.com are new pipes. They have not been smoked or blessed.

Thank you to Alan Monroe, fourth generation Oglala Lakota pipe maker from South Dakota, for his amazing high quality pipes and works of art and for some of the information used in this article.

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