Native American Pin Vest

In days gone by, small to medium pins were commonly worn on blazer lapels, sweaters, coats, jackets, scarves. clutch purses and hats…………pins were a fashion staple.

See the slide show below for samples of classic Navajo pins.

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A brooch is a large decorative piece of jewelry pinned to a sweater or dress to complete and outfit and make a bold statement. Large grandmother pins can be thought of as a brooch.

 

Native American artists have made many styles of pins over the years and continue to do so today.  They range in size from tie tacks and hat pins all the way up to large petit point pins and employ all types of animals, symbols and designs.

See the slide show below for samples of Zuni, Hopi and Navajo symbols.

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Although I have written about ways to use pins in previous blog posts, truth be told, I rarely use pins unless it is as a pendant, using a pin-to-pendant converter.

See these articles:

Pins Make a Comeback

Native American Pins 

Native American Pins Beautify Handbags

Like many Native American jewelry aficionados, I have accumulated quite a few pins and rather than just look at them in a drawer or box, I decided to use a denim vest to display some of them.

See the slide show below for examples of animal pins.

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Butterfly pins are popular by both Zuni and Navajo artists.

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Cluster and grandmother pins are made by both Zuni and Navajo artists.

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Paula

Book Look: Southwestern Indian Rings by Paula A. Baxter

Like Paula Baxter states in her Dedication, I never feel “fully dressed without wearing at least one Navajo or Pueblo ring.”

In my case, sometimes I just have to wear more !  Being a Native American ring aficionado, I found this book an interesting reference.

In over 350 color photographs (taken by her husband Barry Katzen), Paula shows historic and contemporary rings made by Navajo, Hopi, Zuni, Santo Domingo artists and more.  The photos here in my article are not from Paula Baxter’s book – they are photos of my personal rings and some from the store where I work.

Unmarked vintage turquoise – likely Navajo

 

 

 

 

Coral by Rose Castillo Draper, Navajo

 

 

Larry Pooyouma, Hopi

Sidney Sekakuku Jr. – Hopi

Richard and Geneva Terrazas, Zuni

Morris and Sadie Laahte, Zuni

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Contents of the Book

The Design and Appeal of Southwestern Indian Rings

Materials and Methods of Ring Construction

Historical Rings: Pre-Contact to 1930

Vintage Rings, 1930-1979: The Age of Experimentation

Master Innovator

Artistic Adornment: 1980 to Present

It is in the Master Innovator section that she shows and discusses work by Dan Simplicio, Fred Peshlakai, Lee Yazzie, Charles Loloma, Jesse Monongya, Kenneth Begay and others.

Contemporary artists include Sonwai and Arland Ben to mention just a few.

Besides displaying rings in the customary silver and turquoise, there are a number of rings showing other materials including variscite, pink coral, sugilite, petrified wood, ironwood, fossilized ivory, opal, jade, azurite, fire agate as well as many other agates, jasper, tortoise shell and more.

Jasper

White Buffalo Stone by Freddy Charley

 

 

 

 

 

 

 

 

Mother of Pearl by Rose Castillo Draper, Navajo

Lapis by Navajo Bennie Ration

 

Natural Royston Turquoise by Navajo Walter Vandever

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Paula

 

 

 

 

Native American Fetishes – Zuni Carving Families

All tribes in the Southwest US make small stone carvings. Sacred ones are called fetishes. The Pueblo Indians have developed the use of these carvings and it is the Zuni that are the most skillful stone carvers of the Pueblos. Evidence of fetish use has been documented to pre-Columbian times. Columbian times refer to those that occurred after European influence, or after Columbus landed in the Americas in 1492.

While there were only a few dozen Zuni carvers as recent as 20 or 30 years ago, today there may be as many as 300 Zuni carvers that belong to a dozen or more noted Zuni artist families.

Here are some of the Zuni carvers’ family names:

©  2010 Horsekeeping   © Copyright Information

BooneZuni Horse Fetish Carving
BooquaHand made Native American Indian Pig fetish carving
BowannieZuni penguin Fetish Carving
Cachini Hand made Native American Indian Fox fetish carving
CooeyateHand made Native American Indian Fox fetish carving
DavisHand made Native American Indian Ram fetish carving
DeyuseHand made Native American Indian horse fetish carving
GasperZuni wolf Fetish Carving
HalateZuni turtle Fetish Carving
HalooZuni owl Fetish Carving
LaateZuni coyote Fetish Carving
LaiwaketeZuni Horse Fetish Carving
LasilooZuni Horse Fetish Carving
LeekyaZuni Horse Fetish Carving
LementinoHand made Native American Indian sheep fetish carving

LonaseeZuni bear Fetish Carving
LucioHand made Native American Indian Buffalo fetish carving
LunaseeZuni tutrle Fetish Carving
MacHand made Native American Indian Ram fetish carving
MahootyZuni bear Fetish Carving
NatewaZuni horse Fetish Carving
PanteahZuni ram Fetish Carving
PintoZuni ram Fetish Carving
Poncho Hand made Native American Indian Rabbit fetish carving
PonchuellaHand made Native American Indian Pig fetish carving
QuamZuni Horse Fetish Carving
QuandelacyZuni bear Fetish Carving
ShackAuthentic Native American Indian  horse carving fetish
TsikewaZuni bear Fetish Carving
WallaceHand made Native American Indian Ram fetish carving

For more detailed information on Zuni carving families, refer to Zuni Fetishes & Carvings by Kent McManis.

Zuni Fetishes and Carvings by Kent McManis

Zuni Fetishes and Carvings by Kent McManis

A Native American fetish is a carving from rock, shell, antler, wood or other material that depicts an animal or other spirit. The carving captures the spirit and the essence of the animal, not necessarily its exact detailed conformation. When a carving has been blessed during a Zuni Medicine ceremony at the winter solstice, it becomes a fetish and is considered sacred. Fetishes are either kept by the carvers or given away to members of their tribe or other people.

Carvings that are very old may have been handed down for generations or have been tribal possessions for hundreds of years. It is believed that these carvings were actually live animals at one time and were petrified into stone beings by a magic bolt of lightning during the drying of the world. There were many such beings all over the earth’s surface which have been found over the years. It is said that whosever is of the good fortune to see such beings should treasure them for the sake of their sacred power which was given to them during the earth’s creation.

Today what we sell and most of what is sold elsewhere as a fetish is actually a rock carving, but it is very common to refer to them as fetishes, so we describe these wonderful stone animals as fetish carvings.

When one believes that a spirit resides in an inanimate object, that is called animism. When an inanimate object, such as a carving reminds one of the spirit of a being, that is a different matter. The difference between the two words is primarily a matter of belief. But in respect to the Zuni tradition, these carvings are not fetishes. However choosing one of these carvings is a very personal matter. If a carving speaks to you and makes you feel a certain way when you look at it, perhaps it is what you have been looking for to put on your desk or carry in your pocket. Similarly, if you are on a walk and you happen upon a stone that is already shaped like a buffalo and you pick it up and make it yours, that is powerful.

According to Zuni traditions, animals are divided up into 3 categories:

1. Game animals are those the furnish flesh to man. Today these animals are often referred to as prey animals because they are the prey of meat-eating predators. This would include deer, elk and rabbit, to name a few.

2. Water animals are those associated sacredly with water, not necessarily just animals who live in the water. This would include the dolphin, frog and the turtle.

3. Prey beings are those animals who hunt other animals to eat. Today these animals are often referred to as predators who prey upon game animals. This would include bear, wolf, and mountain lion.

Traditional carvings, sometimes referred to as “reservation fetishes”, tend to be of the “old style” with few details and are most commonly Prey Beings. Old style carvings are basically rectangular pieces of stone that have been shaped into animal forms. Often it is difficult to differentiate between a bear and wolf, for example, or a wolf and a mountain lion. They all look similar, kind of hunkered to the ground. The old style carvings make one think that the Native American artist saw an animal in a stone and just coaxed it out with a few simple lines. These are often referred to as “concretion fetishes”, stones that require very little carving to bring out or release the animal in the stone.

For hundreds of years, other tribes procured fetishes from the Zuni. While it is not customary for a Zuni to carve domestic animals, such as horses, sheep, cattle and goats, for personal use, they do so for Navajo herdsmen to protect their animals. That is why it is possible to purchase a wide variety of Zuni horse carvings today.

 

 

 

 

 

 

 

 

 

Modern Native American stone carvings can be quite ornate and detailed and very beautiful. They often have much intricate work and various types of inlay. Also, the posture of the animal might be different from that of traditional carving. Modern carvers might depict an animal running, rearing, sitting or standing up on its hind legs. Some carvers give a bear a fish to eat, so the carving becomes a miniature sculpture with a story.

 

Native American Materials – Fossilized Coral

What is fossilized coral?

Over time coral is replaced by agate, which cuts easily and takes a high polish. The fossilized coral stone shows small flowers on and within the stone. Colors range from cream to caramel to deep brown, various shades of gray, black, white and occasionally red.

Fossilized coral is used in Native American inlay bracelets, most notably Navajo. Here are a few examples.

Fossilized coral inlay bracelet by Thomas Francisco, Navajo

Fossilized coral inlay bracelet by Thomas Francisco, Navajo

Fossilized Coral Inlay Bracelet by Thomas Francisco, Navajo

Fossilized Coral Inlay Bracelet by Thomas Francisco, Navajo

Fossilized Coral Inlay Bracelet by Thomas Francisco, Navajo

Fossilized Coral Inlay Bracelet by Thomas Francisco, Navajo