Kokopelli

Kokopelli is based on the Hopi word KOKOPILAU  KOKO = WOOD   PILAU = HUMP
The kokopelli, flute player, often associated with the Hopi Flute Clan is the symbol of happiness, joy and universal fertility: humans, crops, domestic and wild animals. He is often a part of rituals related to marriage, conception and birth and has been a part of the Ancient Pueblo Peoples since Hohokam times (AD 750  – 850). The Kokopelli is a presence in Hopi legends and can appear in in ceremonies as a kachina (katsina). See the slide show below for examples.

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Kachinas, supernatural spirit beings, are called “katsina” by the Hopi and “Koko” by the Zuni (which means “raw people”). Kachinas are associated with rain and other good things such as longevity, strength and good fortune. Kachinas serve as an intermediary between the people and the gods to bring blessings to the entire universe.

Today depicted as a non-gender figure, kokopelli was traditionally a male figure, often well endowed until the missionaries discouraged such depiction ! Tales include the kokopelli visiting and by morning, all of the young women were pregnant.

Here is an excerpt from North American Indian Jewelry and Adornment by Lois Dubin

The kokopelli might be simple or have various adornments. It most always is holding and playing a flute, which announces his arrival and is suggested to represent rain, precious to the southwest. His legs are dancing in time to his own music. Sometimes kokopelli is depicted with feathers or a headdress protruding on the top of his head. In a few instances (mostly rock art) he has been depicted with a stick or bow.  He is most always shown in profile.

Milton Howard, Hopi

Kokopelli talks to the wind and the sky. His flute can be heard in the spring breeze, bringing warmth after the winter cold. He is the symbolic seed bringer and water sprinkler. His religious or supernatural power for fertility is meant to invoke rain as well as impregnate women both physically and mentally. He is also associated with fertility of wild animals.

From a Field Guide to Rock Art Symbols of the Greater Southwest by Alex Patterson

The humpbacked kokopelli image is found from Casa Grande, Mexico to the Hopi and Rio Grande Pueblos and then westward to the Californian deserts in prehistoric rock, effigy figures, pottery, and on kiva walls.  Some say the reason he has a hump or is bent over is that he was carrying a heavy sack, perhaps full of seeds or some say with an unborn child he is going to deliver.

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Anasazi, Hohokam and Mibres peoples used the symbol on their pottery. Today many southwest Native Americans use the symbol on their pottery.

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Many Native American tribes use the kokopelli symbol. Here are some samples of its usage by Hopi, Zuni, Navajo and Oglala Lakota artists. Click the photos for more information.

Hopi Overlay Kokopelli Belt Buckle by Steven Sockyma

Hopi Overlay Kokopelli Belt Buckle by Steven Sockyma

Oglala Lakota Catlinite (pipestone) pendants

Navajo Overlay Kokopelli Ring by Calvin Peterson

Navajo Overlay Kokopelli Ring by Calvin Peterson

Navajo Sterling Silver Kokopelli Pin Pendant by Robert Vandever

Navajo Sterling Silver Kokopelli Pin Pendant by Robert Vandever

You may have heard of Ledger Art, where Plains Indians used the materials at hand, such as old ledger paper from forts and missions, on which to paint and draw. Well, this is Cigar Box Art, a creative repurposing of vintage cigar boxes by Lakota artist Alan Monroe.This box has a large capacity so will hold quite a few treasures or a good amount of sage and other smudging supplies.

Navajo Kokopelli Inlay Pendant

Navajo Kokopelli Inlay Pendant

Zuni Horse Fetish with Kokopelli petroglyphs by Tyrone Poncho

Zuni Horse Fetish with Kokopelli petroglyphs by Tyrone Poncho

Hopi Kokopelli Overlay Belt Buckle by Joe Josytewa

Hopi Kokopelli Overlay Belt Buckle by Joe Josytewa

This article is meant to round up the various interpretations of kokopelli, not serve as a definitive tome on the subject.

Paula

Repousse

What is repousse?

A method of embossing metal by stamping and hammering a design from the back to produce a three-dimensional bas-relief surface on the front.

Here is an excerpt from Indian Jewelry Making by Oscar T. Branson that shows the process.

Below are some examples of the repousse technique used by Native American jewelers.

One of the most classic uses of the repousse techniques is on ketohs (bowguards).

Ketoh (bowguard) by Navajo artist Daniel Martinez

View the slide show for other uses of repousse on ketohs. (Read more about ketohs on my previous post.)

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Sterling Silver Repousse Buckle by Floyd Arviso

Sterling Silver Repousse Cross by Robert Joe, Navajo

Orange Spiny Oyster and Satin Finish Sterling bumble bee pin by Tim Yazzie

    

A vintage NOS (New Old Stock) pin marked AP Sterling

The technique was used by Bell Trader’s craftsmen in the Fred Harvey era such as this copper cuff bracelet.

Read more about the Fred Harvey era in my previous post.


View the slide show below to see examples of Navajo barrettes that feature repousse designs.

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Paula

The Art and Science of Wearing a Concho Belt

In Part One, All About Native American Concho Belts AKA Concha Belts, I covered a little bit about the history and makeup of a Native American concho belt.

Here I am going to talk about how to go about using that great belt you have hanging in the closet.

Men’s or Ladies?

Concho belts are unisex and can be worn with jeans as well as over shirts, blouses and with skirts and dresses.

First I’ll talk about link belts as they are quite simple.

Boulder Turquoise link belt by Platero

Link Concho Belts

Link belts are usually quite adjustable. You would purchase one approximately your waist size plus a few inches. Depending on the style of the belt, you usually can fasten the buckle’s hook on any of the rings between the conchos to get a custom fit. This is especially good if you are going to wear the belt in a variety of ways – over a blouse or shirt or through the belt loop of jeans because you will be able to fit a link belt to its intended use very quickly. Most link belts are narrow enough to fit through the loops of standard jeans. Generally 1 3/4″ wide and less will slide through belt loops.


Sterling Silver link concho belt

Depending on your waist size and the length of the link belt, you will have more or less excess belt hanging down in the front. This can be left hanging straight down or looped. 

Leather Concho Belts

Leather concho belts are traditional and popular. You need to choose a leather belt that is the correct size for the concho’s loops. If the leather strap is too narrow, the conchos will wiggle out of position. If the strap is too wide or thick, it will make it difficult to slide the conchos.

Belt is too narrow

Belt is correct width

Leather Concho belts fasten in one of three ways.

Sterling Silver link concho beltSome leather Concho Belts have a normal buckle with a tongue. With this style buckle, once you find the ideal place to punch the holes for your waist, you can cut off the end of the leather just so it tucks under the first concho as shown in the slide show below.

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Sterling Silver link concho beltOthers leather belt style Concho Belts have a large oval or rectangular “western style belt buckle” with a prong on the back that fits into a hole in the belt. 

For both of these types of belts, using a leather punch, you will need to punch a hole or two in the leather portion of the belt to custom fit the belt to your size waist. If you have a small waist, you might want to cut some of the leather off the end of the belt and slide the conchos closer together. If you have a large waist, you might want to slide the conchos farther apart from each other.

Some leather mounted concho belts have a hook and loop on the end panels such as this one by Dan Jackson.

P1170619 use

Dan Jackson leather concho belt with hook and loop fastener

With a belt like this, you would need to slide the panels closer together or farther apart on the leather belt until the hook and loop connect perfectly for your waist size.

P1170621 use

 The leather belt portion of a leather concho belt is usually extra long and blank (not punched) so that you can custom fit the belt to your size. The conchos can be slid along the leather as desired to position them perfectly for your waist size. You can also remove the conchos and buckle from the leather strip provided and place the conchos on a favorite belt that you already own.

If you are going to wear a concho belt over an untucked shirt or blouse, you would punch a hole to fit your waist and then arrange the conchos evenly spaced around the belt.  To do this, you need two simple tools. A screwdriver and a pair of pliers.

Using the screwdriver, carefully loosen the belt loops on the back, just enough so you can slide the concho into the desired position.

Then to seat it, place a cloth around the concho to protect it and gently squeeze the belt loop with the pliers to a snug fit.

You don’t have to scrunch down real hard because the loops are usually made of copper or silver, both soft metals that bend easily. You are padding the concho so the pliers don’t make any marks on the front side of the concho – or damage any stone or inlay. Be careful when squeezing with the pliers – only enough to get the job done.  Once you have the conchos set, you are ready to wear your belt.

The situation with a belt that will be worn with jeans is a little more complicated because first you want to be sure the conchos will slip through the belt loops.

Generally 1 3/4″ wide and less will slide through belt loops.

 

P1170615 use

A few brands of jeans have larger belt loops, I have found that Seven7 Skinny Jeans accept concho belts up to 2 1/4″ wide !

 

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Also, you will want to space the conchos so that they work in harmony with the belt loops. Here for example is one arrangement for a belt that has a buckle plus 11 conchos.

Front view

 

Back view

If you have to put your conchos and buckle on a new leather strap, simply loosen the loops and slip off the conchos. Most buckles are attached using  a 3 hole tie with lace as shown in the slide show below. It is the same tie you use to fasten a latigo to a western saddle.

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I love to wear concho belts and hope these two articles get you motivated to use yours !

Paula

 

Native American Concho Belts

Before buying a concho belt, it is a good idea to know a little bit about them. I hope this helps you with your purchasing decision and will add to your wearing enjoyment. This is Part One of a two part series. Part Two will cover The Art and Science of Wearing a Concho Belt.

History

The word concho comes from the Spanish “concha” which actually means “conch” or “seashell” but has come to mean round or oval disks (occasionally rectangles) of silver used to decorate saddles, bridles, clothing, used as jewelry such as for pendants and bolo ties and for adorning or making belts.

Concho belts are a long-time Navajo tradition yet it is generally accepted that the Navajo learned about the concept of concho belts from the Plains tribes. They then obtained the skills and designs to make silver conchos from Mexican silversmiths (plateros) that used conchos on horse tack. 

The earliest conchos were silver dollars that were hammered, stamped and edged, then slotted and strung together on a piece of leather.

A slotted concho

Later in the evolution of concho belts, the slots were no longer used. Instead, copper loops were added to the back of the conchos so they could be slipped onto a leather belt.

Copper belt loops

When the slots disappeared, they were replaced by a central design element which continues to be used today.

The slot has been replaced by a central stamped design

 Silver concho belts evolved to include overlay, storyteller, sandcast and more.

Delgarito storyteller

Overlay

Vintage Sandcast

Stones were added later as a central stone, a cluster, with other design elements or as inlay. Some conchos are made entirely of a single turquoise stone. 

Vintage unmarked concho belt with central stone in a shadowbox

Vintage unmarked concho with central stone – classic

Cluster belt by Navajo Irene Chiquito

Concho with other design elements including leaves, raindrops, turquoise nuggets, coral and a bear claw. By Elaine Sam, Navajo

Inlay concho belt by Navajo Benjamin Becenti

 

 

 

 

 

 

 

 

Vintage Chip Inlay

Large Turquoise Stones made up to be the conchos on this belt

Concho Belt Features

Concho belts can be a continuous row of conchos or could have spacers in between the conchos.

Vintage Navajo Arts and Crafts Guild belt with continuous row of sandcast conchos

Margartet Platero Boulder Turquoise link belt with a continuous row of conchos

Sterling Silver link concho belt

Leather concho belt with butterfly spacers

Link concho belt with butterfly spacers

The spacers can of various shapes but traditionally are butterflies and it is easy to see why they are called that when you look at the shape of them.

The conchos and the butterflies are sometimes backed by leather which highlights the silver work and also protects the edges of the silver from bumping, wear or bending.

Leather backed, slotted conchos

How Many Conchos?

The number of conchos on a belt will depend on the length (size) of the belt, the dimensions of the conchos, whether butterfly spacers are used and so on. But some common configurations might be:

  • 6 conchos + 7 butterflies + a buckle
  • 10 to 14 conchos + a buckle
  • Link concho belts might have from 12 to 18 conchos connected by rings.

See Part Two of this series to see how the number of conchos plays out when you want to wear your belt with jeans.

Link or Leather

Generally there are two types of concho belts: link and leather. 

Link concho belts are conchos that are connected by rings with a hook fastener at one end. Link belts are used primarily over a blouse but many can also fit through the belt loops of jeans. Link belts generally cost less than leather belts.

Link belt used over a blouse

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Leather concho belts are basically a leather belt with conchos slipped onto the belt and a buckle attached to the end

Leather concho belt

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Today there are many types of Concho Belts sold, some are authentic Native American Made, but many are not. Here is how they stack up.

Museum Quality
The fine, highly worked museum-quality Navajo or Zuni Hand Made Sterling Silver Concho Belts are truly works of art and are highly collectible, seldom sold, and worn for ceremonial purposes only. They are made by very talented, traditional Native American artists out of the finest stones and Sterling Silver. Sometimes a dozen artists will get together and each will make one concho for a special belt. Some artists might make only one or two concho belts in a year….or a lifetime. Prices are commonly $20,000 and more.

Museum quality belt by Dan Jackson

Traditional Leather “Using” Belts
Traditional Sterling Silver Leather Concho Belts made by Native American silversmiths and marketed for “using” can be somewhat less complex and less expensive that the museum pieces but they are wonderful pieces of wearable art ! They are equally suitable to wear over a blouse or shirt or with jeans. These are for sale in the $1000-$9000 range.

A “using” concho belt by Calvin Martinez

Not Native American

There are all kinds of non-Native American made concho belts for sale. They are often made in a southwestern style from machined steel conchos that are chrome plated. These might sell for as low as $10.

A link concho belt that is machine made, not Native American, not sterling silver.

METALS AND MATERIALS

Sterling Silver 

Conchos can be of shiny or matte sterling silver, antiqued or highly polished. 

Coin Silver – Some older concho belts are made from coin silver. You can read more about coin silver in my previous post on the subject.

Nickel
“Nickel Silver” or “German Silver” Concho Belts have no silver in them at all. They do have a silver color to them but they do not contain any silver. They are made of an alloy of copper, zinc, and nickel. This is very confusing for customers because they are often fooled into thinking they have purchased a silver item because they are called Nickel Silver or German Silver. When comparing Sterling Silver (which contains 92.5% of the precious metal Silver) with Nickel Silver, you are comparing apples to oranges – that’s why the prices will vary so much. Nickel silver is hard and brittle, so is usually machined rather than hand worked. Nickel Silver concha belts are generally not hand made. They are commonly machine struck or stamped so although the design might be based on a Native American design, they are seldom Native American hand made. Nickel silver does not tarnish. It is more durable and of a much lower cost and value than Sterling Silver. Know what you are buying. Read Not All Silver is Created Equal
Plated
Plated Concho Belts might consist of a layer of silver or chrome over steel. “Pot metal” (inexpensive cast metal mixtures) and other metal alloys can also be plated. These kinds of belts are the tourist grade or costume jewelry style belts, a totally different item than Native American Made Concho Belts.

To get some ideas on how to get your concho belt ready to wear, read Part Two of this Series – The Art and Science of Wearing a Concho Belt.

Paula