Meet Monty Claw and his Unique Jewelry

Monty Claw

We are so happy to have met Monty Claw and feature some of his unique jewelry in our webstore.

Navajo artist Monty Claw is largely self-taught although he did study at The Institute of American Indian Arts.

He has worked in many mediums including leather and beadwork, making feather fans, painting and silversmithing.       

See two of Monty’s fans below in this slide show   – for more details, see Fans on our website. 

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Monty Claw and his work have been featured in a number of publications including The Smithsonian Magazine and Native Peoples Magazine.

Monty’s pieces appear in museum quality collections such as Nelson Atkins, The Nerman Museum of Contemporary Art, The Minneapolis Institute of Arts, The Denver Art Museum, The Sam Noble Museum, and Musée Du Quai Branly in Paris, France. Watch the slide show below to see some of his museum quality pieces. 

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Although he has only been a full time jeweler since 2011 he has already started accumulating awards: SWAIA Santa Fe Indian Market, The Heard Museum Indian Market, and Cherokee Art Market in Tulsa, Oklahoma.

Today Monty focuses mainly on jewelry and metalsmithing and specializes in tufa cast pieces. He creates amazing works of silver and gold occasionally set with precious gems like turquoise, coral, and diamonds. But truth be told, he really prefers to work in all metal.

He enjoys creating sculptural pieces that look like they are going to walk or fly off a ring or bracelet and come to life.

His pieces are unique, with singularly creative details. His ideas range from traditional to beyond modern, from beautiful to edgy, from simple classics to groundbreaking creations. He creates many pieces related to animal and spiritual beings. Click on the photos below to see more views and dimensions.

First People

Yei Bi Chei

Apache Crown Dancer

Raven Spirit

Dragonfly Spirit

Wolf Spirit

 

His work is highly sought after by major collectors, museum board members, major curators and Native American jewelry enthusiasts who just love to wear his pieces.

Monty Claw tells us stories with his jewelry as he continues on his creative path.

Paula – I’m closing with a photo of the first of my many Monty Claw pieces – a treasured buffalo inlay buckle………..

Paula’s inlay buffalo belt buckle by Monty Claw

The Eagle Has Landed – Inlay Repair by My Favorite Silversmith

Carlene Leekity Inlay Eagle Necklace – do you see the missing inlay?

When this Carlene Leekity eagle inlay necklace came into the store in an estate lot, I didn’t even notice there was a piece of inlay missing because the backing material was black just like the shell inlay.

Henry and Diane to the rescue !

I’ve been working with Diane Radeke and Henry Yazzie for at least 6 years. Their team has done repairs on many vintage items that have arrived as part of estate lots but needed TLC before we could offer them in our Vintage Shop. Diane is the point person but I think of her more as a shepherdess who guides the project masterfully from start to finish. She determines what needs to be done, what the customer wants, and then confers with her partner, Henry Yazzie, to determine what supplies are needed and what the cost will be. Henry creates wonderful custom jewelry and also does careful, creative, excellent repairs. You can read about other projects we have worked on over the years by simply searching “Repairs” in the search box on this blog. Contact information for Diane and Henry is at the end of this article and at My Favorite Silversmith.

Henry graciously supplied us with some photos and explained the steps he follows to repair missing inlaid shell or stone pieces in jewelry:

He first examines the missing stone area.  There may be material in the opening that raised the stone or shell to the correct height.  This material may be clear epoxy, which turns brown or yellow over time, Dev-con, which is generally gray, or JB Weld, which is often black.  The base material can stay in place if it is still tight and in good shape. Otherwise it will need to be removed and replaced.

Henry then selects a stone or shell that will be the correct height and size for the opening.  The pen shell for this repair (see photos below) was procured for me by a good friend D. Robert Smith who is an excellent lapidarist at his Dancing Raven Stoneworks LLC.

Pen shell for inlay repair

Some shells and stones cannot be ground down from the face side, so careful sizing is important. Henry cuts a piece of replacement material that is a bit larger than the opening.

Henry then moves to the grinder, which is typical lapidary equipment that uses a water drip feed to keep the stone cool and reduce dust,. There he shapes the first edge of the replacement piece.

.

He then checks the fit to the missing inlay opening. Working back and forth, he continues to grind bit by bit until the replacement piece is a perfect fit for the opening (see the slide show below).

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Jewelers glue is used to secure the new shell piece in place.

With Zuni inlay, there is no bezel adjustment as found in traditional Navajo jewelry.  The piece must fit perfectly. If it does, it will maintain its fit for many years.

Henry reminds us ! “As with any bezel set jewelry, it is important to not let inlaid jewelry stay wet for any length of time – this could allow backing materials to swell and/or pop the inlay.  And it is particularly important to not bend the jewelry, as that would change the size of the opening and cause stone loss.”

and I add “That’s why we always caution our customers to not try and resize an inlay bracelet! If you do, when bending, the stones could go pop, pop, pop !”

For this eagle necklace, Henry also matched the feather etching on the wings using a Dremel tool.  A final polish removes any rough spots or bits of glue.

What a wonderful repair job !

Repair completed and necklace ready to enjoy for many years to come !

To contact Diane and Henry at My Favorite Silversmith for your repairs:

Diane Radeke
602-354-5028
P. O. Box 55935
Phoenix, AZ  85078
                                                                   Thank you Diane and Henry !
                                                                                                                         Paula

Woody Crumbo

The Flute Dance (722) by Woody Crumbo

Woodrow “Woody” Crumbo, Potawatomi
1912-1989
Woody Crumbo was an artist, Native American flute player, and dancer who lived and worked mostly in the West of the United States.

His paintings are in the Smithsonian Institution, the Metropolitan Museum of Art and the Thomas Gilcrease Institute in Tulsa, Oklahoma.
Woody Crumbo was inducted into the Oklahoma Hall of Fame in 1978 for his paintings. He served as an “ambassador of good will” for Oklahoma, appointed in 1982 by Governor George Nigh.

Peace Offering (812) by Woody Crumbo

While studying art in Kansas and Oklahoma during the 1930s, Crumbo supported himself as a Native American dancer, performing on reservations across the United States. He was a conduit – collecting and exhibiting traditional dances.

To see more detail about the dances that are shown in the slide show below, click here.

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He became the Director of Art at the Bacone College in Muskogee, Oklahoma from 1938-1941, succeeding Acee Blue Eagle.

The Shield Dance by Acee Blue Eagle

In 1939, the U. S. Department of the Interior commissioned him to paint murals on the walls of its building in Washington D. C. His “peyote bird” design became the logo for the Gilcrease Museum.

Peyote Bird by Woody Crumbo

From 1948 to 1960, Woody Crumbo lived in Taos, New Mexico. It is there he began making multiple “originals” using engraving, printing, silkscreen.

Paula

The Three Stone Navajo Bracelet

One very traditional Navajo bracelet layout is the three stone bracelet.

#8 Turquoise 3 Stone Shadowbox bracelet by Navajo Wilbur Muskett

This layout is usually used when there are wonderful stones to showcase.

Vintage 3 Stone Bracelet with chisel mark E

The Three Stone layout works best if the stones match.

Vintage unsigned Royston Turquoise 3 Stone bracelet

Often the central stone is larger and the two sides stones are smaller.

Vintage unsigned 3 Stone bracelet

Sometimes the central stone is smaller and the two side stones are larger.

Vintage unsigned 3 stone bracelet

 

It is equally suitable to use the layout on a wire bracelet or a cuff.

Read about wire bracelets here – Wire Bracelets

Vintage unsigned 3 stone Bisbee turquoise bracelet on heavy 3 wire frame

 

Three stone White Buffalo Stone cuff bracelet by Joe Piaso

Read about White Buffalo Stone.

 

Vintage 3 stone bracelet with partial hallmark of P. This is a cross between a wire and a cuff bracelet. There is a heavy 4 wire framework and a solid sterling faceplate under the stones.Paula

What is a sweater bracelet?

Early on in my collecting of Native American bracelets, I was handed a contemporary Zuni needlepoint bracelet by the maker and was told “this is a sweater bracelet”.

Zuni needlepoint sweater bracelet by Jenny Eustace

I had never heard that term before and am a firm believer in “if you don’t know, ask”, so I asked and was told it is a style of bracelet where a design element has a “drop” – that is, it drops down so it lays on the back of the wearer’s hand and can peek out of the lower edge of a long-sleeved sweater cuff. Well that made perfect sense so I have used the term ever since.

A more subtle sweater bracelet by Jenny Eustace

Here is another example of a sweater bracelet by a Navajo artist.

Petit Point sweater bracelet by Navajo Betty Etisitty

Some sweater bracelets can be quite dramatic in how much silver and stone is “dropped” onto the back of the hand.

Unmarked NOS (New Old Stock) sweater bracelet

Unmarked vintage sterling silver and turquoise sweater bracelet

Here is a versatile sweater bracelet – you can decide which color you want to peek out.

Unmarked vintage petit point sweater bracelet in turquoise and coral

Some bracelets made a gentle downward sweep at the cuff.

Tommy Jackson, Navajo

Silver sweater bracelets often come to a point as they drop.

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Paula

Devil Dancer Set by Navajo artist Ernest Shirley

This rare, museum quality 3 dimensional inlay set was part of a private collection. It was made by Navajo artist Ernest Shirley.

The 7 piece set includes:

a concho belt comprised of a buckle and 8 conchos

a man’s bracelet

a man’s ring

a woman’s bracelet

a woman’s pendant

2 women’s rings

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Excerpt from page 252 in American Indian Jewelry III M-Z by Gregory Schaaf.

Sterling Silver – Rare, One of a Kind
Museum Quality Apache Devil Dancer Set
by Navajo artist Ernest Shirley 

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Rare, One of a Kind, Museum Quality Apache Devil Dancer Set
by Navajo artist Ernest Shirley

This 7-piece three dimensional figural overlay/inlay set includes:
– 
one concho belt
– 2-piece man’s set: bracelet and ring
– 
4-piece woman’s set: bracelet, pendant, and two rings
– certificates of authenticity
– materials include Sleeping Beauty Turquoise, mother of pearl, jet, coral, and sterling silver

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Post card titled
“Devil Dance of the Apache Indians from the 1930’s”

Concho Belt

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Conchos are currently on a double leather belt that is 1 5/8″ wide and 38″ long from buckle to end of leather. Holes are punched at 34″ to 36″.   526 grams.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Buckle is 3″ x 2 5/8″.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Notice the 3-dimensional quality of the stone inlay and overlay on all pieces.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Each concho has a copper belt loop.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Holes are punched at 34″ to 36′

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Certificate of Authenticity for concho belt.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Eight conchos are 2″ x 2 1/4″.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

4-Piece Woman’s Set
b
racelet, pendant, and two rings

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Bracelet, pendant and two rings.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Bracelet is 6 1/4″ total inside circumference, this includes the 1″ gap.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Bracelet 3 1/8″ tall at front, 11/16″ at ends.
105 grams.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

This four-wire bracelet design is traditional Navajo and Zuni bracelet form that is open and airy allowing for ventilation and making the bracelet more comfortable to wear in hot and humid weather. Read more . . .

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Certificates for woman’s bracelet, pendant and two rings.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Pendant 2 3/4″ x 2″, 32 grams.
Fixed stamped bail with 1/8″ opening,

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Ring size 9.  2 1/2″ tall x 2″ wide.  36 grams.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Ring size 6,  2 1/8″ tall x 1 3/4″ wide.
25 grams.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

2-Piece Man’s Set
b
racelet, pendant, and two rings

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Man’s bracelet and ring.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Bracelet size 8 1/4″.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Bracelet is 3″ tall at the front to 11/16″ at ends.
117 grams.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

 

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Heavy man’s ring size 12 1/4 .

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Ring is 1 3/8″ tall x 1″ wide.  47 grams.

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

This four-wire bracelet design is traditional Navajo and Zuni bracelet form that is open and airy allowing for ventilation and making the bracelet more comfortable to wear in hot and humid weather. Read more . . .

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Authentic Native American rare museum quality sterling silver and stone inlay overlay devil dancer 7-piece set by Navajo artist Ernest Shirley

Sleeping Beauty Turquoise comes from one of the largest turquoise mines in North America located in Gila County, Arizona near the town of Globe. This turquoise is prized for its uniform blue color with little or no matrix that allows the stones to be easily matched and cut. It is the favorite stone of Zuni Pueblo silversmiths for use in petit point, needlepoint and inlay jewelry. Only 4% of the turquoise taken from the mine is left natural. Most is is enhanced or stabilized and sold to large distributors in the USA and Europe. 

If you want to see more information, view the webpage devoted to this set.

Paula

 

Book Look: Who’s Who in Zuni Jewelry by Gordon Levy

This 1980 hard bound book is full color, 64 pages and 11 3/4″ x 8 3/4″

My copy of this book had no author on the binding, no title page, no copyright page, nothing to indicate who wrote this book and when it was published. But with a little digging, I found it was written by Gordon Levy and published in 1980 by Western Arts Publishing Co.

It doesn’t have an ISBN but it does have an ASIN –  B001LQQM8Q

There are ample quantities available new and used if you search by the title.

Now to the book itself. Here is the the copyright page that was not in my book but I found on line.

Copyright page from “Who’s Who in Zuni Jewelry”

On the copyright page (above) and in the Introduction (below), there is mention of future volumes but I am only aware of this one volume. If anyone knows of subsequent volumes, please leave a comment at the end of the article.

Introduction from “Who’s Who in Zuni Jewelry”

The front matter contains:

ZUNI JEWELRY THE ART AND THE ARTISAN

  • Jewelry Designs
  • Jewelry Pricing
  • The Stamping or Signing of a Piece of Jewelry
  • Availability
  • The Meaning Behind the Making of Zuni Jewelry

CULTURAL BACKGROUND

  • Sociocultural
  • Political System
  • Economic Base
  • The Art and Craft of Silversmithing
  • Tribal Heritage and Goals

GLOSSARY

TURQUOISE FACTS

  • Natural Turquoise and How to Care for It
  • Stabilized Turquoise
  • Reconstitute Turquoise

Following the front matter are full color pages about the artists. Here are the artists that are covered in this book.

Following are some sample pages

Sample interior pages

Sample interior page

Paula